{"id":6372,"date":"2026-02-27T00:59:21","date_gmt":"2026-02-27T00:59:21","guid":{"rendered":"https:\/\/sag.ufvsoca.ca\/sag\/?p=6372"},"modified":"2026-04-08T18:15:50","modified_gmt":"2026-04-08T18:15:50","slug":"aide-memoire","status":"publish","type":"post","link":"https:\/\/sag.ufvsoca.ca\/sag\/2026\/02\/27\/aide-memoire\/","title":{"rendered":"Aide-Memoire"},"content":{"rendered":"

On view: March 10-April 7, 2026\u00a0<\/strong><\/p>\n

Reception: <\/strong>Wednesday, April 1, 2:00 pm-4:00 pm<\/p>\n

Aide-Memoire<\/em><\/strong> brings together emerging artists to explore the notion of \u201carchival silences,\u201d specifically how gaps in a body of records might be interpreted in relation to marginalized lived experiences. The works investigate how these gaps can be an invitation to claim space and construct one\u2019s own archive in the present.<\/p>\n

Featuring recent sculpture work by Melanie Jones (UFV School of Creative Arts Associate Professor) alongside work by SoCA student artists and alumni Aiyana Barnett, Chandradeep Majumder, Gabriel Fiset, and Sien Tolmie.<\/p>\n

This exhibit is connected to Jones\u2019 larger sculpture practice, which is engaged with themes of identity, queer lived experience and an ongoing fascination with furniture and found objects. As queer bodies are attacked, policed, and legislated around the world, queer artists like Jones are forced to grapple with the prevailing historical record of their existence, including the frequent erasure of LGBTQIA+ voices and the validity of their lived identities.<\/p>\n

In this collection of works, materiality, queerness and the subjective archive intersect in Jones\u2019 work through a series of sculptures that deploy the drawer and other found objects as signifiers for memory. In these works, Jones centers the object-ness of the drawer itself, separate from the usual enclosing furniture, as an \u201caide-memoire\u201d <\/em>(translation: aid to memory). Drawers store and conceal objects and archival information, but can also be opened to reveal them, therefore occupying a liminal space between access and restriction \u2013 a transitional area between one state and another. Using wax, fur, text, ceramics and other materials, the drawer is deployed as a stand-in for the artist\u2019s queer non-binary body, building a visceral archive of self-discovery.<\/p>\n

The student artists were invited to respond to Jones\u2019 research and themes through their own lived experiences, resulting in a series of individual and collaborative works that claim space for marginalized voicesby opposing the power and limitations of the traditional archive.<\/p>\n

The exhibition opens on March 10<\/strong> at the S\u2019eliyemetaxwtexw Art Gallery<\/strong>, located on the UFV Abbotsford campus, and runs through until April 7<\/strong>.<\/p>\n

A reception<\/strong> will be held on Wednesday, April 1, from 2:00 pm – 4:00 pm<\/strong> in the gallery. All are welcome to attend, and admission is free.<\/p>\n

For more information, contact SAG.Gallery@ufv.ca<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

On view: March 10-April 7, 2026\u00a0 Reception: Wednesday, April 1, 2:00 pm-4:00 pm Aide-Memoire brings together emerging artists to explore the notion of \u201carchival silences,\u201d specifically how gaps in a body of records might be interpreted in relation to marginalized lived experiences. The works investigate how these gaps can be an invitation to claim space […]<\/p>\n","protected":false},"author":2,"featured_media":6380,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[38],"tags":[],"class_list":["post-6372","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions"],"acf":[],"_links":{"self":[{"href":"https:\/\/sag.ufvsoca.ca\/sag\/wp-json\/wp\/v2\/posts\/6372","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sag.ufvsoca.ca\/sag\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sag.ufvsoca.ca\/sag\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sag.ufvsoca.ca\/sag\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sag.ufvsoca.ca\/sag\/wp-json\/wp\/v2\/comments?post=6372"}],"version-history":[{"count":1,"href":"https:\/\/sag.ufvsoca.ca\/sag\/wp-json\/wp\/v2\/posts\/6372\/revisions"}],"predecessor-version":[{"id":6381,"href":"https:\/\/sag.ufvsoca.ca\/sag\/wp-json\/wp\/v2\/posts\/6372\/revisions\/6381"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sag.ufvsoca.ca\/sag\/wp-json\/wp\/v2\/media\/6380"}],"wp:attachment":[{"href":"https:\/\/sag.ufvsoca.ca\/sag\/wp-json\/wp\/v2\/media?parent=6372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sag.ufvsoca.ca\/sag\/wp-json\/wp\/v2\/categories?post=6372"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sag.ufvsoca.ca\/sag\/wp-json\/wp\/v2\/tags?post=6372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}